"Revenge is a dish that is eaten cold," said the Vikings. In the "old boy" is actually frozen. If in "sympathy for mr. Vengeance" revenge is a social compensation mechanism, in this second film of the trilogy this is mere survival to their experience. I do the hero-and his murderer are kept alive only by an obsession with revenge. Their joyless existence is dominated by a death instinct which compels them to seek compensation for wrongs they have suffered irreparable damage. In "Sympathy for mr. Vengeance" We have seen how the voltage of revenge resulting from a social construction and dehumanizing superhuman, or rather desocializzante; Codest film with the author corrects the shot and widen the reflection statement to the extent that the impulse for revenge does not originate from external factors to ' individual (firm), but from the depths of his being human, from his soul. "Old Boy" deals with the theme of revenge with a breath that goes beyond the immanent and becomes universal.
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