paths that make the eyes and mind during and after the screening of sympathy for mr. vengeance and old boy are inverse to each other. If there were an initial vision sympathy for mr. vengeance is difficult to digest - the rawness of the scenes, environments distressing, for the soundtrack for disturbing and thin and the contrast of styles as varied as shooting-, respect, can better appreciate the richness of expression with which linguistic codes are used to conduct a discourse articulated yet simple. Old boy is more common close to the aesthetic taste: photography and image composition are cured, the soundtrack is more engaging and interacts well with the assembly involving rhythm, the tone is lightened by a clever use of irony according sdrammatizzante. All these factors make it a greatly enjoyable film which, however, a second vision, he leaves us a little bit disappointed, because the game is now open and will remain on the surface of emotions, without being able to vibrate the strings firmly in the soul. I believe that this is due to an overly aestheticized treatment of visual and audio material and the choice not to use the dialogues and the actors' faces as vehicles of the movements of the psyche of their characters, as was cleverly sympathy for mr. vengeance. What do you think?
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